Speaking of Star Wars (1977) (referencing the last post), I have the Star Wars soundtrack LP vinyl.
It is the original pressing as I bought it within days of seeing the movie in 1977.
Naturally, I still have it in my record collection.
Speaking of Star Wars (1977) (referencing the last post), I have the Star Wars soundtrack LP vinyl.
It is the original pressing as I bought it within days of seeing the movie in 1977.
Naturally, I still have it in my record collection.
My order of the 2021 release, "The Best of Bond... James Bond" three-record LP set arrived today. I ordered it through Tower Records.
It is the latest compilation of main title tracks to the James Bond movies from Dr. No (1962) to No Time To Die (2021). The set includes Adele's "Skyfall", a song not included, oddly, in the official soundtrack album. The CD version contains two discs.
According to 007.com:
UMe have released an updated version of “The Best Of Bond… James Bond”, a digital, 2CD and 3LP vinyl compilation featuring celebrated Bond theme songs. The new James Bond 2021 Edition includes “No Time To Die” by Billie Eilish from No Time To Die. Also now included are Adele’s “Skyfall” from Skyfall and Sam Smith’s Spectre theme, “Writing’s On the Wall,” – Oscar® winners for Best Song in 2013 and 2016, respectively.
I decided to get the LP set as vinyl records have better sound quality than does CDs. I was not disappointed.
If one is a fan of Bond movies, especially the music, this is a must-have album.
If you happen to be a fan of the James Bond movies and need something to listen to while reading, cooking, drawing or even housework, Mark Horner has put together 120 minutes of Bond soundtracks from the past sixty years on YouTube.
He did an excellent job with this compilation. I'm listening to it now. I'm just over a half hour into it.
Oscar winner Ennio Morricone, composer of “The Good, the Bad and the Ugly” and “The Mission” and among the most prolific and admired composers in film history, has died. He was 91.
Morricone died early Monday in a Rome clinic, where he was taken shortly after suffering a fall that caused a hip fracture, his lawyer Giorgio Asumma told Italian news agency ANSA.
Shortly after Morricone’s death was confirmed, Italian Prime Minister Giuseppe Conte tweeted: “We will always remember, with infinite gratitude, the artistic genius of the Maestro #EnnioMorricone. It made us dream, feel excited, reflect, writing memorable notes that will remain indelible in the history of music and cinema.”
The Italian maestro’s estimated 500 scores for films and television, composed over more than 50 years, are believed to constitute a record in Western cinema for sheer quantity of music.
At least a dozen of them became film-score classics, from the so-called spaghetti Westerns of the 1960s, including “The Good, the Bad and the Ugly” and “Once Upon a Time in the West” to the widely acclaimed “The Mission” and “Cinema Paradiso” of the 1980s.To read more, go here.
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| Above, composer Bob Cobert. |
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| Above, the case of Duke! The Films of John Wayne. Photo by Armand Vaquer. |
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| Above, the Rio Bravo CD set. Photo by Armand Vaquer. |
Rio Bravo is a 1959 American Western film produced and directed by Howard Hawks and starring John Wayne, Dean Martin, Ricky Nelson, Angie Dickinson, Walter Brennan, and Ward Bond.
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| Above, the 2003 remastered and expanded CD of Thunderball. Photo by Armand Vaquer. |
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| Above, the original 1965 soundtrack LP and the remastered and expanded edition. Photo by Armand Vaquer. |
If Goldfinger proved that the James Bond franchise was box office dynamite, 1965's Thunderball cemented the British super-spy's international appeal--and further forged a set of pop culture cliches that both inspired and endured even Mike Meyer's modern, multi-chaptered Austin Powers spoofing. While Goldfinger also marked composer John Barry stamping his enduring influence on the series' music, this fourth installment finds his big band and jazz-inspired arrangements pulsing with confidence, stripped down rhythmic tension and exotic elegance. Tom Jones follows up Shirley Bassey's previous larger-than-life title track performance with a worthy rival of his own, its dramatic, Barry-composed melody interpolated throughout the composer's masterful score. Songwriter Leslie Bricusse (who co-wrote "Goldfinger" with Barry) also returns, teaming with the composer on the emblematic "Café Martinique" and delightfully kitschy "Mr. Kiss Kiss Bang Bang" (originally intended as the film's Bassey-sung theme song, but abandoned and replaced by the film's producers). This new, digitally remastered and expanded edition notably doubles the running time of the original album with selections that bristle with Barry's haunting string and wind arrangements, including two suites comprising 20-plus minutes of the film's concluding underwater intrigue. It's one of Bond's--and Barry's--best. --Jerry McCulley
Elvis Presley is an artist whose work and influence on music has been celebrated countless times over the years. He’s the true embodiment of a legend and his music will continue to be talked about, possibly for the rest of time. Award-winning film-maker Thom Zimney has taken a new look at Presley’s growth as an artist in his three-hour two-part film Elvis Presley: The Searcher. The film aired on HBO in the US last month and a soundtrack for it has been released across a variety of formats. This review looks at the 18-track CD version of the soundtrack.
Elvis Presley: The Searcher – The Original Soundtrack takes 18 essential tracks used in the film and they are a mix of live performances, hits and rare alternative versions of some of Presley’s best songs. The set opens with a live performance of Trouble/Guitar Man showcasing the blusier side of Presley’s repertoire. It really is a fantastic start to the soundtrack and Presley is in fine vocal form.
| Above, from upper left to right, Live and Let Die (Paul McCartney and Wings), Octopussy (Rita Coolidge), Never Say Never Again (Lani Hall) and A View To A Kill (Duran Duran). |
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| Above, Jonathan Frid as Barnabas Collins. |
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| Above, Bob Cobert. Photo by Dark Shadows News Page. |
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| Above, Jack Larson and George Reeves in 1953. |
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| Above, the 1951 music cues release by Varese Sarabande. |